Sep 26 2007

Getting their kicks…

 

This is my latest article for the Boone Standard, printed in this week’s edition. (Click on images to enlarge.)

Left to Right: Mark Pettry, Scott Pettry, Ethan Holstein, Josh Holstein, Caleb Duncan Front Row, Left to Right: Brandon Bowdish, Caleb Duncan, Tyler Pettry, Ethan Holstein, Josh Holstein. Back Row, Left to Right: Scott Pettry, Grant Kellione, Seth Pettry, Brittney Bowdish, Chance Pettry, Sensei Mark Pettry. Not pictured: Greg Cook Front to Back: Brandon Bowdish, Seth Pettry, Chance Pettry, Greg Cook

COMFORT—Of all the things you might expect to find in this small, unincorporated town, a karate school probably isn’t one of them. Still, every Friday night the Tumble Time Training Center in Comfort, WV becomes a dojo for a group of almost twenty kids and their sensei (or teacher), Mark Pettry.

Clad in white robes with colored belts around their waists, the students head onto the floor and begin class. After leaning the mats from the previous night’s tumbling class against a wall, they spread out. More experienced students go off and do their warm-ups on their own, while those with white and yellow belts, the newest students, stay and warm-up with Pettry.

Mark Pettry, who (by day) works as a district manager for Nationwide Insurance, was once a student here himself. He and his two sons signed up for karate after the Tumble Time Training Center began providing classes in fall of 2005. At that time Robert St. Clair, a fifth degree black belt in Shotokan karate, taught the class. Soon Mark was enamored with the sport, and began private training with St. Clair.

“We started working out at his house every Saturday morning, starting at 6 in the morning. I’d have to get up at 4 in the morning and drive to Oak Hill to work out for four hours at a time” says Pettry.

This grueling schedule eventually paid off, because Pettry accomplished in two years what most people require up to five years to do: he earned his black belt. This much-coveted ranking allowed him to teach a class of his own, and in early August he took over the Tumble Time Training Center karate classes.

After several sets of exercises meant to build strength and increase flexibility, Pettry spends some time teaching his less experienced students the proper way to execute a front kick. This is a part of karate known as kihon, where students are taught the “moves of karate”, as the Pettry puts it. Slipping sparring pads over his hands, he has the kids lift their left knee and then project their foot forward into the cushioned pad.

It’s almost a scene from some martial arts movie. The students start out wobbly and unsure of themselves but again and again they kick, until something finally connects the link between motion and mind. With occasional corrections of stance and technique from their sensei, the kids are soon kicking like little Bruce Lee’s.

According to Pettry, this building up of skill and confidence is what karate’s all about. “We try to instill in them confidence” he says. “We try to teach them what they can achieve.”

Eventually the two groups of students are joined together and lined up against a wall. They go up and down the floor this way, kicking and punching as their instructor calls out. Pettry then walks over and picks up another sparring pad, similar to the ones he used in kicking practice but much bigger. “Are we blitzing?” one student asks. Mark nods, and the students beam. Soon I see why.

Various combinations of punches, kicks, and head butts start flying against the giant pad Pettry holds in front of him. He braces himself against the hail of attacks, works them down the floor, and goes back for the next student. It goes on, one by one, until they’re all on the other side of the room again.

Judging from the students’ reactions, this sort of controlled foam-core violence is clearly very enjoyable, indulging harbored Power Rangers fantasies and teaching speed and coordination at the same time. Rest assured, however, these bouts against glorified beanbag chairs are as violent as Pettry’s classes get. “[Most people] think karate is like you see in the movies, people getting broken necks and all that stuff. It’s nothing of the sort. We try and teach them karate is not to be used in any offensive manner. We don’t let the kids touch each other.”

After blitzing, the white and yellow belts are dismissed from class. The blue and purple belts that remain stay to practice kata, another fundamental of karate that combines punches and kicks into a preset sequence, almost like a dance. After running through an astonishingly long sequence of moves once or twice (a sequence which students must memorize for their next belt test), they’re dismissed as well. Winded and perspiring, the students slip on their shoes and pile into their parents cars. It was a difficult workout and they’re worn out, but every one is still smiling.

“I think the most important thing is to not be afraid of karate. If you’ve seen it and you think you might have fun, come in and give it a shot” says Pettry, wrapping up our interview. “It’s just a good time with a lot of different kids from a lot of different areas.” After watching the kids that just left the Training Center, that’s certainly a fair summarization.

Classes are held every Friday at the Tumble Time Training Center in Comfort, beginning at 6:30. You must be at least 7 years old to take the class. For more information, call the Training Center at (304) 837-8625

The Tumble Time Training Center Sensei Mark Pettry starts class at the Tumble Time Training Center. The Tumble Time Training center, in Comfort, WV


Sep 17 2007

Baby! It’s cold outside.

I love the old Frank Loesser standard “Baby, It’s Cold Outside,” particularlly the cover cut by Ella Fitzgerald and Louis Jordan. A couple winters ago, iTunes showed it’d listened to that song a couple hundred times. It has some special meaning to me* and besides that, it’s just a really pretty song. So imagine my delight when I found this little jem: a parody sung by Homer and Jethro (with assistance from none other than June Carter).

Put some records on while I pour.

Homer and Jethro (featuring June Carter) - Baby, It’s Cold Outside

*My girlfriend/love of my life/soulmate really loves the movie Elf, and Zooey Deschanel’s character croons the song in a shower scene while Buddy the Elf is outside listening…which is not nearly as dirty as I just made it sound. Watch the movie.


Sep 13 2007

REVIEW: Easy Tiger by Ryan Adams

Ryan Adams - Easy TigerI generally don’t read album reviews for CDs I know I’m going to end up reviewing. It’s more superstition than anything else, but I don’t like the idea of other writers’ prose working its way into mine, even subconsciously. With Ryan Adams’ latest release, Easy Tiger, this wasn’t so easy.

Rolling Stone, No Depression, Entertainment Weekly, TIME, the Charleston Gazette, and every other periodical I opened ran a review of this thing. Not bad for the most recognizable face in alt-country…a genre that confuses even the people who play it. In a musical world of neat categories and listener demographics, alt-country bucks definition like a rodeo bull, and is thus rarely heard on mainstream radio or read about in mainstream publications. But if the exception proves the rule, Easy Tiger is that exception.

Easy Tiger kicks off with “Goodnight Rose,” one of the strongest tracks on this record, or any record I’ve heard recently. It’s got a nice signature guitar lick, a good hook, and Ryan and his Cardinals play in a solid country-rock style that Gram Parsons would be proud of. Pedal steel and Floyd Cramer-style piano weave in and out under heavy guitars, and a drummer with a drunken swagger that keeps the song’s boots planted in Nashville.

The next two tracks, “Two” and “Everybody Knows” are about the same. These have mostly acoustic instrumentation, and feature excellent performances. “Everybody Knows” sounds like it came straight off Neil Young’s Harvest, with Adams’ voice dubbed in place of old Shakey’s, Straight-ahead country rock. Then we come to the fourth track, “Halloweenhead.”

Why is this the first time someone’s used Halloween as a metaphor for mental restlessness? “I’ve got a Halloween head, head full of tricks and treats, it leads me through the nighttime streets.” That’s just genius. Back that with some post-punk and a guitar solo that sounds like something off a Yes record, and you might know why I like this song. It’s so weird (there’s a video for it on YouTube, go watch it).Honestly, the first time this song came on I thought something was wrong with my iPod, “Halloweenhead” certainly isn’t the best-written or best-played song on this plastic platter, but the element of surprise alone carries it.

After that departure, Adams returns to the country, or his version of it. Like the genre to which it belongs, Easy Tiger is as varied in quality as it is unpredictable. “Pearls on a String” has Adams singing something resembling bluegrass, and that bothers me a little. I’m as big of a Bill Monroe fan as you’ll ever find, but some people just shouldn’t have a banjo on their record. Especially if it’s one of those six-string banjos that all the pop-country artists are rocking these days (I’m talking to you Keith Urban, go back to Australia).

I also take issue with the closing track, “I Taught Myself to Grow Old.” By this point in the record, there have been several rather-blatant nods to Neil Young…but this song makes it ridiculous. The opening drowns you in Dylan/Young-style harmonica, Ryan sings the whole song in a high, warbly tenor that eventually turns into a Neil Young impersonation, and even the title seems to be copycat maneuver (Young did write “I Am a Child” to then follow it with “Old Man” four years later). Imitation may be the highest form of flattery, but it’s also the most convenient vehicle for laziness. Give me a break.

Of course, that’s not to say the record turns into trash after “Halloweenhead.” “Oh my God, Whatever, Etc.” and “These Girls” are beautiful, and are almost worth the price of admission by themselves. “Tears of Gold” is pretty good too, and comes closer to hardcore country than any other song on the disc. Still, Adams hasn’t made another Gold, or even another Jacksonville City Nights. My recommendation? Buy the CD if you can get it cheaply or just pick-and-choose on iTunes…or just wait for another Ryan Adams CD. I’ve got a feeling you won’t have to wait long.